Stained by Dead Inkjets / Tabula Rasa

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What’s it going to be then, eh? The tyranny of the blank canvas.

Some people never learn. After a partial failure with the New Bank of X Get Rich Rich Quick Scheme (see here), and the enforced postponement of No Glove Lost, I immediately decided to initiate two new projects for the Retrospective.

Well, they are new and old at the same time, and both are remixes of old work into new work.

From 24 April to 5 June, I will be showing some collages made from test prints and spoiled inkjet prints. So the work is not made, but it being made.

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Old, semi-generative printed work.

I am also programming a new generative work to show at Access Space over the same period. This will be using a library of existing images, some of which will appear in the collages. It’s a complementary double-header art clash.

As I go along, I have decided to timelapse capture the making of the collages. See below for the first four segments, showing me reviewing the old stuff and experimenting, in an attempt to establish what Paolozzi would have called a “vocabulary” for the work so that it has a coherence as a show.

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A “vocabulary” begins to appear.

The work is explicitly influenced by the work of Paolozzi, Robert Rauschenberg and Peter Schmidt.

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“Art Without Boundaries 1950 – 1970” (The World of Art Library) Gerald Woods, Philip Thompson & John Williams (Editors)

Showing artwork in pubs is notoriously difficult for a number of reasons. The Rutland Arms is a great pub, but there is hardly a square foot of wall that is not interrupted by a window, a wall-light or screw holes.

My strategy for dealing with such an informal space is to make all the work the same size, mounted in identical frames and mounted at the same height throughout. Hopefully, this will give the work a visual coherence.

All the works will be A3 in size although I haven’t decided on the mounting and framing yet. Stay tuned to BolamTV for regular updates…

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