Still from BolamTV XmsX Midwinter Special 2013+1 Director’s Cut (video at the end of this post)
As is traditional at this time of year, BolamTV is featuring a little bit of comfort viewing, comprising some familiar family programming and a few festive extras.
Seeing as it was so popular last year, here is a special “Director’s Cut” of the BolamTV XmsX Midwinter Special 2013, a shorter version with a little extra seasonal branding.
This blog post is the equivalent of the DVD extras or a “Making of” documentary.
Last year I wanted to do something that was not exactly anti-Christmas but un-Christmas, something that acknowledged what the celebration at this time of year was originally about, and something that was a satire without being an attack on the Christian festival. Whilst I am not a Christian (because I do not believe that Jesus of Nazareth was divine) I am more than happy to take part in a celebration that has become a time to see family and friends.
Feel free to correct me if you know better, but I believe that the birth of Christ is celebrated at this time to coincide with the pagan ritual of celebrating Midwinter on the shortest day of the year. I do not know just how consciously planned it was, but several of the pre-Christian festivals have been subsumed in this way. Easter was a celebration of fertility, hence the bunnies and eggs.
XmsX logo evolution.
I love and hate branding in equal measures. I love satirising it and making pastiches, but I despise the insane world that I have grown up in. I wonder what the world must look like to people 20 years younger than me who do not remember a time without dickheads walking down the street with “Bench” across their arses or “YSL” printed on cheap t-shirts. I remember a time before ubiquitous branding and, although I don’t object to a discreet logo on my clothing, it still appalls me when I see how people are willing to be walking advertising billboards for companies that have just ripped them off.
Anyway, if you can’t beat them, join them. Here is the incarnation of Stalky Ringbits I imagined for XmsX.
The final logo design.
It’s a memento mori (natch) who is a bit worse for wear. The ‘x” is a kiss on the right cheek and the hole in the head is symbolic of damage that can be about self-destructive “self-medication” or the slings and arrows of outrageous fortune. The eye-patch is an occlusion over the left eye and the right eye has a red glint. In tradition, the left is the passive side and in palmistry symbolises what you are born with, and the right side is the active and what you make of your life. The red symbolises passion, blood and sex, and the left eye is hidden as a contradictory symbol of either loss or introversion. The two bones are there to reference piracy and they are different lengths and informally arranged, again to reference the randomness of life. The halo is a provocative symbol of universal divinity and the lettering is red and green to symbolise the active (red) and the hopeful (green) and double up as bit of Christmassy garnish. The nose and mouth are just a bit lopsided due to possibly a few too many mulled wines at a crashed office party. The contraction of “XmsX” is a subtle dig at Marks and Spencer and the other traditional cost centres for middle-class people at Christmas. The bracketing “X” is both as in “ex” and the indeterminate value x and, of course, a play on the word “xmas”.
It is intended to be mildly provocative and tick boxes in the pagan, Christian and secular worlds.
I might deconstruct this a bit more later, but the video uses a single shot in a derelict building, now gone, and it was actually snowing through the roof onto the tree that was growing there. I wanted to do something that was possibly religious and possibly not. The music used is three different versions of “O Come, O Come, Emmanuel”, all sourced from archive.org and used (as far as I can tell) within the terms of their licenses.
The video was shot in a hurry at 720p and was actually out-of-focus. It’s a great shot, or should have been, and I still wanted to use it so I decided to move the emphasis away from the image by giving it designed sound rather than just music.
Once I had sourced the music, the idea for the sound design was from a distantly recalled track by Mark Stewart and the Mafia of a version of the traditional hymn “Jerusalem”. Before I recalled it as an influence, I had only heard it once before, sometime in the 1980s, on the John Peel radio show.
I would be the first to agree that my own work is a rather subtle pleasure, and watching it a year later it felt too long so I’ve attenuated it a bit. If you can bear to watch it, please make sure you watch the credits. It’s only a small thing but I am quite pleased with the animation.
Whether you’re a believer or not, Emmanuel may still come, o come. FYI Emmanuel is the name used in the Old Testament of The Bible of the prophesied messiah that turned out to be Jesus of Nazareth in the Christian faith. He is prophesied to return, and just because he hasn’t turned up yet doesn’t mean he (or she) never will.
My own view on religion and divinity is a little more complex, nuanced and contradictory than the all-or-nothing atheistic sledgehammer, but I think I might leave that to another post. Or maybe a PhD. Or maybe my own church. Now there’s an idea…
In the meantime, I will leave you to pick the bones out of BolamTV XmsX Midwinter Special 2013+1 Director’s Cut.