Retrospective: Richard Bolam at 50. It’s all over bar the shouting. #bolamat50

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I was 50 in real life and the passport photo was taken when I was 19 or 20.

However, it feels as though there is still a lot of shouting yet to do. Here are a few photos from the closing event at Access Space and the Rutland Arms.

My year of being 50 is over and the project has been an extremely varied and qualified success.

With hindsight, it was a mistake to start the project so much earlier than the year itself – after the launch event in April 2014, I was so burned out that I couldn’t maintain the energy levels that I had done for the previous two years. As a result, the middle few months of the actual 2014/15 fiftieth year was when the anti-climax hit. It was no surprise to me to have a dip, but the timing could not have been worse.

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Making Bolam masks for the free goodie bags that I gave out at the closing event.

However, I never really thought I would be able to achieve everything that I had planned, but the biggest failure is not getting the 12 issues of “Catalogue” finished within the year. This part-work magazine is the central piece of the project but I got distracted with other things. What’s more, I spent far too much time making new work, rather than cataloguing and presenting existing work.

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Wife #2 and backup wife #2 at the Rutland Arms, with “HYPE!” in the background.

None of those failures matter, of course, and the project has been a huge success in many ways, but not in terms of global fame, obscene wealth or critical adulation.

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One rather perverse pay-off is, thanks to the almost universal indifference to my work, I now feel completely disenfranchised from the art “world”. Not from art, but from the world of art, or the establishment at least.

This is not a good thing if you want to be successful in that world, but I have little respect for it because I refuse to do the artspeak and do not base my work upon the theoretical conceits that seem to be de rigeur these days.

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That’s me on the left.

Anyway, I currently have two exhibitions open, “Casualty” at Access Space (limited opening times) and “HYPE!” & BOLM•ART™ at the Rutland Arms, both in Sheffield, UK.

I will aim to get the remaining 11 issues of “Catalogue” finished over the coming year, and I will be continuing the project as Bolamat50+1.

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Last Exit to Bolam – Retrospective Grand Finale exhibitions and closing event

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The end of my Bolam at 50 year approaches. I will be 51 on the 24th of April 2015 and, as a celebratory finale, I am showing some art at Access Space and the Rutland Arms, across the road from each other in Sheffield, like I did for the launch.

At Access Space, I am showing an exhibit entitled “Casualty”, which is a small collection of war-themed work, including an installation version of Casualty 14-18 which a commemoration of the approximately 16 million people killed in the First World War. The exhibition is open from 21st April to 22nd May.

Confirmed opening times so far:
Tuesday 21st April 3pm – 7pm
Wednesday 22nd April 4pm – 6pm
Thursday 23rd April 4pm – 8pm
Friday 24th April – closed
Saturday 25th April – closed
Sunday 26th April – closed
Monday 27th April – closed
More times to be confirmed.

There is also an online version:
http://casualty1418.net

At the Rutland Arms, there is a wall-based exhibition of the covers from my monthly HYPE! Bolam Celebrity Magazine. The Exhibition is running from 15th April to at least the 22nd May. Free entry during normal pub opening times.

There will also be a closing event on 23rd of April, starting at Access Space from 17.30 to 20.00, and then moving over to the Rutland Arms for the rest of the evening. There will be goodie bags for the first 50 lucky guests.

100 reams of A4 paper needed for an artwork commemorating the 16 million dead of the First World War #Casualty1418 #WW1 #EndlessWar

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Photo: Sage Ross (Creative Commons).

“The only thing necessary for the triumph of evil is for good men to do nothing” – Edmund Burke (1729 – 1726).

Casualty 14-18” is an artwork that commemorates the 16 million people of all nationalities killed in the First World War. It is an unfunded project and currently only exists online.
http://casualty1418.net

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Each day, from 28th June 2014 to 11th November 2018, a series of 30 A4-sized images are published online, representing the average number of 10,200 deaths per day for the duration of the war. Each sheet is unique and represents 340 humanoid figures, created by a generative computer program.

Access Space, Sheffield, UK has sponsored the work in-kind by hosting a physical installation from 17th April to 14th May 2015 (dates tbc). For this version of the work, I need 100 reams of A4 paper to create a temporary monument:- 94 for the 16 million of the First World War and the remaining six for the approximately one million killed in the recent “War on Terror” in Afghanistan, Iraq, Sudan, Syria, Pakistan, Yemen and other countries as a symbol of the principal of Endless War.

“Casualty 14-18” is an unapologetically anti-political, anti-war work of art. I thought it up in 2001 and in 2014 I decided to make it happen because of the 100-year anniversary of the First World War, regardless of funding. However, a physical installation involves at least some cost. The paper does not need to be unused, it can be recycled or unused printed matter, but it does need to be A4 in size and uncreased.

If you know of a printer, office or any other organization that has 50,000 sheets of uncreased A4 paper surplus to requirements, either free or at a small cost, please get in touch.

The 20 days of 20×20 Day 19 – 19th September 2014 @AccessSpace #20×202014

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Access Space’s annual 20×20 open art exhibition 2014 opens TODAY! 19th September 5.30 – 8pm and the show is open to the public from Saturday 20th. Access Space’s opening hours are Tuesday to Saturday 11am – 7pm. Free entry.

http://access-space.org

The 20 days of 20×20 Day 18 – 18th September 2014 @AccessSpace #20×202014

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Access Space’s annual 20×20 open art exhibition 2014 opens on the evening of the 19th September 5.30 – 8pm and the show is open to the public from Saturday 20th. Access Space’s opening hours are Tuesday to Saturday 11am – 7pm. Free entry.

http://access-space.org

The 20 days of 20×20 Day 11 – 11th September 2014 @AccessSpace #20×202014

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The deadline for the annual Access Space 20×20 open art exhibition 2014 is 17th September (TODAY!). It’s free to enter and you can submit work in any medium on any subject as long as it’s 20 inches square.

You can buy a ready-made box construction “canvas” for £3.75 or you can construct your own.

There will be an opening on the evening of the 19th September 5.30 – 8pm and the show is open to the public from Saturday 20th. Access Space’s opening hours are Tuesday to Saturday 11am – 7pm. Free entry.

http://access-space.org