However, it feels as though there is still a lot of shouting yet to do. Here are a few photos from the closing event at Access Space and the Rutland Arms.
My year of being 50 is over and the project has been an extremely varied and qualified success.
With hindsight, it was a mistake to start the project so much earlier than the year itself – after the launch event in April 2014, I was so burned out that I couldn’t maintain the energy levels that I had done for the previous two years. As a result, the middle few months of the actual 2014/15 fiftieth year was when the anti-climax hit. It was no surprise to me to have a dip, but the timing could not have been worse.
However, I never really thought I would be able to achieve everything that I had planned, but the biggest failure is not getting the 12 issues of “Catalogue” finished within the year. This part-work magazine is the central piece of the project but I got distracted with other things. What’s more, I spent far too much time making new work, rather than cataloguing and presenting existing work.
None of those failures matter, of course, and the project has been a huge success in many ways, but not in terms of global fame, obscene wealth or critical adulation.
One rather perverse pay-off is, thanks to the almost universal indifference to my work, I now feel completely disenfranchised from the art “world”. Not from art, but from the world of art, or the establishment at least.
This is not a good thing if you want to be successful in that world, but I have little respect for it because I refuse to do the artspeak and do not base my work upon the theoretical conceits that seem to be de rigeur these days.
Anyway, I currently have two exhibitions open, “Casualty” at Access Space (limited opening times) and “HYPE!” & BOLM•ART™ at the Rutland Arms, both in Sheffield, UK.
I will aim to get the remaining 11 issues of “Catalogue” finished over the coming year, and I will be continuing the project as Bolamat50+1.