Stained by Dead Inkjets – collage #3 (title tbc)
I know I’ve mentioned it before, but the title of the collection of collages I am making for this show is a paraphrase of a track by Throbbing Gristle (TG) on their album “Funeral in Berlin” (1981, Zensor). The original track is called “Stained by Dead Horses” and it sticks in my mind as one of those incredibly emotive phrases that seems to have a life of its own, far beyond the music itself. Other titles that stick in my mind are “Mission of Dead Souls”, “Maggot Death” and “You Don’t No”.
“Funeral in Berlin” Throbbing Gristle (1981, Zensor)
Cover art by Val Denham, 1981.
Similarly, TG’s name, as well as band names such as New Order, Joy Division and Theatre of Hate were extremely evocative, because they embodied such enigma.
My retrospective has already been fantastically productive, but one of the things I realised only very recently is that music has played a influential part in my creative development that I was only unconsciously aware of before. Although I do make music, I do not consider myself to be a musician. I use machines to do all the hard work. I just don’t have that particular talent.
What I do have though, is synesthesia. I wrote about this recently and, although I think I only have it mildly. By way of disambiguation, synesthesia is not a mystical state, it is a subtle neurological connection between the senses, and for me music and sound are strongly associated with visual image or impressions.
Strangely perfect. “Rebel Without a Brain” Theatre of Hate (1981, Burning Rome Records)
What I have come to realise is that, despite being only a mediocre sound artist, music and “organised sound” has been a fundamental influence on my work, even when it does not express itself audibly.
I’m not a fan of the minimalist “Untitled #1”, “Untitled #2”, “Untitled #3” titling strategy, and this is an opportunity to acknowledge my influences, even though the work is visual art rather than music.
As a result, I have decided to title all the “Stained by Dead Inkjets” collages after track names from albums or artists that have been influential to me. It’s a risky strategy. On one of the very few occasions when I have sold work, I lost a sale once I revealed the title because the buyer didn’t like it.